music The music and dance of
Tamil Nadu had their beginnings in the temples. From early times, different
groups of people were appointed to sing divine songs in the temple. Officers
called Thevara Nayakams or leaders of the world of music, arranged the
private worship of kings and group singing.
Odhuvars, Sthanikars,
or Kattalaiyars offer short musical programmes in the temples by singing the
devotional Thevaram songs. Musicians had total reliance on divine grace. They
lead the chorus in the temple congregational prayers to the accompaniment of
the Sarangi. Sarangi was in use in the temples of Tamil Nadu till the end of
the nineteenth century.
The temples at Madurai,
Tirunelveli, Sucindram and Alwar Tirunagiri have musical pillars. Such pillars
are found in the Artha Mandapam where the singing of Thevaram was accompanied
by the music from the stone-pillars.
Intricacies of Folk
Music
Tamil folk music is
remarkable for the tala intricacies. Very ancient classical ragas or melodies
like Manji, Sama, Navaroz, Kalyani, Karaharapriya, Thodi, and
Nadanam-k-kria are used in the folk-songs. Many instruments are
used in folk music.
| art The
famous arts and crafts of Tamil Nadu, in its earlier stages was highly
influenced by the temple economy that prevailed for a long time in this part of
the country. These rich temples of the region were like budding ground for the
craftsmen who used get constant construction work in these temples and helping
them to regularly upgrade their knowledge and experience.
¤ Famous Paintings of Tanjore
The well-known Tanjore paintings are the most important handicrafts
of Tamil Nadu. These paintings are painted on wood, glass, mica, ivory and on
walls, are defined by the use of thin sheet of gold along with primary colors,
stylized modeling effects by shading the inside of the contours. Jewels,
drapery and architectural elements like finely executed pillars, rich canopies,
garlands of ropes and chandeliers are slightly raised by the use of special
plaster, covered with pure gold leaf and embedded with semi-precious stone of
different colors. Painting on ivory, mica, and the more difficult genre of
glass paintings, were all introduced in the 18th century. Whereas the religious
paintings are highly decorative and flat, the paintings of the women are highly
conventionalized with an element of reality infused in the portraits.
¤ The Craft of Making Musical Instruments
Music and dance played an important role in the life of Tamil Nadu. Thus, the
making of musical instruments became a major craft, here. Most of the centers
for this craft are situated around Thanjavur, which is also the hometown of
many famous musicians of the country.
According to the Tamil classic, the Silappadikaaram, there's an ancient Tamil
instrument, the wooden Yaazh in the shape of boats, fishes, and crocodiles,
which is similar to the harp or lute. This instrument has been replaced by the
more versatile Veena, made of Jackwood. The various parts of this instrument
are, the kudam (pot), top plank, neck and yaali. These are first assembled and
a mixture of honey wax and black powder is applied to the top plank. Then it is
further processed for completion. In Thanjavur, there are families that are
into the trade of manufacturing Veenas for generations. Other musical
instruments are the Thamburas with their wooden bases, the flute or kuzhal-a
wind instrument associated with Lord Krishna. It is popularly known as
Vangiyam, made of bamboo, sandalwood, bronze, sengaali and karungaali woods.
¤ The Art of Creating Jewelery
Just like other parts of the country, Tamil Nadu has its own traditional
jewellery-especially the stone-encrusted jewelery, which reached its peak here.
The ornaments, which are popular here are the oddiyaanam (gold waist belt),
vanki (armlet) and jimiki (eardrop), which are traditionally crafted and
finished with great dexterity. The jimiki is a bell-shaped ear jewel set in
colored stones with pearls hanging at the lower end, and hangs from the lotus
shaped kammal of diamonds or rubies worn on the lower lobe of the ear. Other
beautiful jewel that Tamil women wear are maattal, adigai, maangaamaalai,
thaali or mangalasuthra, kaasumaalai, puduchcheri golusu, Gajja golusu.
¤ Metalware in Tamil Nadu
The famous brass and copper metalware has a rich and ancient tradition in Tamil
Nadu. These metal objects are used for both religious and secular purposes,
though utility is a primary consideration. The deepam or lamp are regarded as a
symbol of Agni, which is auspicious and is the best known of the State's
metalware. There is a good variety of lamps that includes standing lamps,
aarathi (votive lamps), deepalakshmis, hand lamps and chain lamps. Patterned
trays and shallow dishes in circular, hexagonal, octagonal and oval shapes are
widely used in Tamil Nadu and are made out of bronze or sheet brass. The
popular Thanjavur plates feature designs of deities, birds, flowers, and
geometric patterns beaten out from the back of copper and silver sheets and subsequently
encrusted on a brass tray, kudam or panchpaathra. Metal toys include models of
horses, cows or elephants are made chiefly of brass. A whole range of
attractively polished and finished utensils of utilitarian value are also made.
¤ Pottery
The famous art of pottery has been practiced here from ancient times,
which is expressed in the manufacture of the famous Ayyannar horses. The horses
are said to protect each village from evil. The large terracotta horses are
made in Salem and Pudukottai. The horses were originally made and fired
individually. But with increasing popularity of terracotta art items, the
moulds began to be put into use.
¤ Woodcraft
Tamil Nadu's artistically created basketry and fiber products is in demand both
in India and abroad. While palm has become a major source of raw material for
basketry and related products, bamboo, cane, grasses, reeds and fibres are also
used in making baskets, ropes, mats and many other items. The main centers of
these crafts are to be found in Dharampuri, Salem, Coimbatore, South Arcot and
Tiruchirapalli districts.
¤ Stone Carving
Stone carving have reached a high degree of excellence in this southern state
very early in history. Today, granite carving is confined to the areas around
Mamallapuram and Chingleput. The famous sculptors here belong to the
Vishwakarma or Kammaalar community. A subsidiary form of carving is soapstone
or maakal carving, found in the region between Pondicherry and Cuddalore and
around Salem. | dance
Tamilnadu had
developed the art of entertainment to its pristine heights at a very early age.
The three modes of entertainment are classified as Iyal (Literature), Isai
(Music) and Nadagam (Drama) had their roots in the rural folk theatre. Many
forms of group and individual dances with the folk forms are yet popular now
and have sheer entertainment value. These dances have survived through many
centuries of Indian History and have provided continuity to the Indian
tradition that is not stagnant, as it is constantly adapting itself to new
conditions and assimilating influences. The more celebrated forms of village
folk dances are as follows:
Karagam
Karagam is a most
popular folk dance form of Tamil Nadu . The villagers perform this dance in
praise of the rain goddess "Mari Amman" and the river goddess
"Gangai Amman" as a part of their custom. In this dance, the
performers balance the water pot on their head very beautifully.
Kolaattam
Kolaattam is a folk
dance , very much famous in all parts of Tamil Nadu. This dance is performed by
the help of sticks. A festival connected with Kolaattam has both a cultural and
a religious significance.
Kavadi Aattam
While visiting any
pilgrimage or any such holy place, ancient Tamilians, used to carry the
offerings to the gods. This used to be tied to the either end of the long stick
usually made up of bamboo and then balanced on their shoulders. This was created
to lessen the boredom of the long travels; kavadi Aattam hence, has its origin
in this context. Many special songs were created to sing while carrying the
Kavadi Sindhu. Only the men perform it, since only they can hold the Kavadi.
Sometimes it is also done by balancing a pole with pots fixed on either end of
stick, filled with milk or coconut water.
Generally, the
materials used for preparing the poles are Purasai or Teakwood. At topside of
the Kavadi, bamboo strips are bent like a half-moon, covered with saffron cloth
and further decorated on the sides with peacock feathers. This is mainly a
religious dance, performed in worship of Tamil Lord "Muruga", who is
the second son of Shiva. Pambai and Naiyandi Melam accompany the dance.
Bhagavatha Mela
The Bhagavatha Mela
is very much famous in tamil Nadu. It is full of dramatic interest that is
enhanced by using classical music and dance. it is originated from the
Thanjavur district. Kuravanji
Kuravanji is a type
of dance-drama distinctive to the Tamils. As performed for an entertaining
objective, whose emphasis is balanced between the classical & traditional
one.
Nondi Natakam
The word
"Nondi" means, the one who limps and "Natakam" means play.
Thus, a play performed by a character, keeping one leg folded at the back, is
Nondi Natakam. This form originated during the late 17th or early 18th century
in Tamil Nadu state itself. The play is a descriptive one and it is developed
around two themes- devotion and forgiveness, as experienced by a one-legged thief.
As a course of dance, he narrates his tale- as a thief in love with an
unethical courtesan, the final redemption through devotion to God and the
healing of his physical afflictions. This drama is also known as Ottraikkaal in
some part of Tamil Naidu.
Pavai Koothu
Pavai Koothu is
considered as a form of early year`s puppet shows. Some called it as a glove
puppet theatre of the 16th century. "Pavai" means woman,
"Koothu" means play. The name is quite appropriate to its theme, as
all the stories concern with the feelings of Vali, one of Lord Shiva`s
attendants, for Subramanya, who is one of Shiva`s sons. This performance uses
papier-mache puppets. These puppets are generally one foot tall in height and
wear paper or coconut -fiber garlands. A single person to work as manipulator
is required to monitor the show. His thumb and little finger move the puppet`s
arms, whereas, his middle finger works for the head. The language of the show
is mostly Tamil, and the songs are predominantly folk in nature. The idakka
drum and cymbals are used for music of the performance.
Kai Silambu Aattam
Dance This dance is performed in temples during the time of Amman festivals or
Navaratri festival. The dance is in praise of all the female deities, the most
preferred being the powerful angry goddess also known as Shakti -Kali or Durga.
The dancers wear ankle-bells and hold anklets or Silambu in their hands. It was
due to this ornament, that the dance got termed as the Kai Silambu Aattam. The
participants perform various stepping styles and jumps in course of this dance.
Bommalattam
Bommalattam or Puppet
shows are the most favourite dance form in Kerala, but it originated in Tamil
Nadu. This dance is held in every village during the time of festivals and
fairs. There are various kinds of puppets used for this show, made up of cloth,
wood, leather, etc. A skilled performer with the help of strings or wires
controls them. This person however, has to stand behind a screen and the
puppets are held in front. The stories that are enacted in the puppet shows are
from Ved-puranas, history and folklore. These shows are very entertaining and
hold both adults and children quite for long time.
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